BARM Launches Classic KYA Online

If you were a teenager (or younger) growing up in the Bay Area back in the 1960s, you had a smorgasbord of choices -- KFRC (The Big 610), 1260/KYA, KEWB (Channel 91) and 1590/KLIV -- to suit your taste in Top 40 music, along with the great personalities that each station featured.

Out of that quartet, only KFRC remains forty years later, playing classic hits from the 1970s and vicinity at 106.9 FM.

As a vehicle of sheer nostalgic bliss, the Bay Area Radio Museum has launched Classic KYA Radio online, playing the great Top 40 hits of the 1960s (and vicinity), along with the 1260 KYA jingles that decorated the station so delightfully during that era.

The host of Classic KYA is Gary Mora (pictured here), who was a disc jockey at the original 1260 KYA during its latter period, and at the merged 560/KSFO and 93.3 KYA-FM. Gary also hosted the popular "KYA Oldies Road Show" live events for nearly twenty years, and is currently one of the best-known voice artists in the business.

Gary was born and raised on the Peninsula, and is a product of the College of San Mateo's vaunted broadcasting school, where he trained under the great Dan Odum, alongside classmates Dean Goss (currently weekending on KFRC) and Jon Miller (play-by-play voice of your San Francisco Giants).

In addition to the music and jingles, the flashbacks to the original KYA will continue with snippets of broadcast recordings from legendary KYA disc jockeys, including Johnny Holliday, Emperor Gene Nelson, Russ "The Moose" Syracuse, Tom Campbell, Bwana Johnny, Chris Edwards, Tommy Saunders and "Big Daddy" Tom Donahue. Classic commercials from the 1960s and 1970s are also featured, with Tom Campbell's well-remembered Mathew's TV & Stereo spots (complete with the famous "top of the hill, Daly City!" tagline) in heavy rotation.

The Bay Area Radio Museum controls the registered trademark to "KYA Radio" and has owned the rights to the kyaradio.com domain name since 2004. The newly-launched Classic KYA programming replaces the archival airchecks from the original "Boss of the Bay" that had been streaming previously on the kyaradio.com website. The revamped kyaradio.com features a continuous live feed of the Golden Gate Great Oldies, along with historic tidbits from the station's storied past.

The launch of Classic KYA Radio comes on the heels of the tremendous popularity of the Radio Museum's Classic KABL Music, which blends popular Adult Standards, Easy Listening and Beautiful Music, hosted by Radio Hall of Famer Bill Moen.

Dave Sholin: KFRC Morning Man

The bubbling rumors that Dave Sholin would become the new program director at rebuilding Classic Hits KFRC/106.9 were proved false earlier this week when Tim Jordan got the job.

So, instead, Sholin -- that's right, "Your Duke" -- will become KFRC's morning man beginning Monday, July 2.

Sholin graduated from San Francisco State University and jumped straight over to San Jose's popular Top 40 outlet, KLIV/1590. Proving his skills as KLIV's music director (in addition to holding down an on-air shift), he began building his reputation for having two of the best ears in the business.

He moved to KARA/105.7 in Santa Clara as program director before getting called up to the big leagues at 610/KFRC for the first time, rising to national music director from then-station owner RKO General. He later became Top 40 editor for The Gavin Report, the industry tipsheet that he eventually co-owned and ran as executive director.

On the afternoon of December 8, 1980, Sholin conducted a lengthy, in-depth interview with John Lennon and Yoko One at their Manhattan home in the Dakota. It would be Lennon's last interview; arriving back in San Francisco, Sholin was informed that the former Beatle had been murdered.

More recently, Sholin served as vice president and columnist for MusicBiz.com and as director of adult formats promotion for EMI's Caroline Distribution and Astralwerks Records.

In a prepared statement, KFRC GM Steve DiNardo said "Dave's past experience at KFRC came at a time when the station was in the forefront of popular culture in the Bay Area. He has retained that sense of relevance throughout his career, and we're excited to unleash it on the new 106.9, KFRC."

Bob Ray: The Night James Brown Was At The Front Door

The great Bob Ray (photo, right), once a staple on the beloved 1590/KLIV during its illustrious era as the Southbay's leading Top 40 station (he can be heard in action on the Bay Area Radio Museum's KLIV tribute page), freely admits that he was deeply impacted by the passing of Soul Brother #1, James Brown, on Christmas Day at the age of 73.

Now the guiding light of Bob Ray Creative Services, a Saratoga-based advertising and marketing agency, he was moved to share his personal story about a chance meeting with the Godfather of Soul almost thirty years ago:

Rock ‘n’ roll radio in the ’70s began with an “A” and ended with an “F” as listeners’ tastes drifted from established bands to brand new ones in more ways than one.

But for most of that decade dating back to the late ’60s, San Jose’s rock ‘n’ roll music icon was an AM radio station located at 1590 on the dial and on Story Road on San Jose’s east side, “next to an abandoned gas station and a thriving fruit stand.”

True, it didn’t look like a rock ‘n’ roll icon, this single-story brown stucco building with its well-faded, brown wood paneling and swinging glass door entrance that might have easily fronted a 7-11.

But it sounded like one: the pied piper of on-the-air rock ‘n’ roll music for San Jose and, this night in the late ’70s, I was in the station preparing my show for the next day. I did mornings on KLIV then, the pinnacle in my career at that time: Bob Ray In The Morning.

The broadcast or “air studio” had a large glass window that provided an oblique view of the building’s glass-door entrance. There was a push-to-talk button for after-hours’ visitors at the front door to talk with the DJ on-the-air. While you could hear each other, because of the in between glass reflections and refractions, you couldn’t see each other.

However the station owner and general manager – now a mentor and a good friend – Bob Kieve, made it clear that admitting any non-employee through that door after-hours would be the end of one’s employment at the station. It was the golden rule at KLIV.

Around 7 p.m. this night, there was a pounding on the front door. Ralf Koal, our afternoon DJ, couldn’t see who was there, couldn’t hear them on the push-to-talk, and intercommed me in production studio to go check it out.

I walked through the front office’s rows of empty desks as it was now well after working hours, and made out three men at the door, one of them wearing a red – wait, what is that, velvet? – a red velvet full length coat? It wasn’t just bright red. It glowed red. I mean it was on fire!

It was dark, the men were black and the stoop light was directly above them, not illuminating their faces clearly. As I asked, “Can I help you?” the man in velvet took a step back and the overhead light revealed his face.

I literally caught my breath and said out loud, “Oh my God, you’re James Brown!” He replied, “Yes, I am. May we come in?”

At this point, I had to ask Ralf Koal - as granting entry to a non-employee would put us both on the street in a snap - if he was OK with my opening the front door. He was incredulous: “You left James Brown waiting at the front door? Jesus, Bob, let him in!”

As Mr. Brown walked through the door, the unbuttoned red velvet coat draped around him like a cape, his hand reached out to shake mine. In a simultaneous motion, the two men behind him lifted the velvet coat from his shoulders, revealing the man, the myth, the legend – dressed in tight black leather, festooned with silver sequins – James Brown.

I said, “Mr. Brown …” when he interrupted me, grasped my hand with both of his, squinted his coal-black eyes into mine and said, “Call me James.”

After introducing James Brown to Ralf Koal who was still on-the-air, I had one of the more lucid moments in my broadcasting career and asked if our group could move into the production studio to record an interview.

For the next hour, I sat side-by-side with James Brown and he talked about his life, his deep love of music, his difficulty in getting his music played in the day’s radio world of strict formats and tight music lists and the impossible road he traveled from poverty to success, this man with an eighth-grade education.

James Brown was articulate, intelligent, passionate and – above all of those qualities – a joy to talk with … one of the best interviews I have ever done.

Nearing the end of our talk, I admitted to him, “I must tell you, I can’t believe I’m sitting here talking with the hardest working man in show business, James Brown.” His reply, “Ain’t I good lookin’, too!”

When James left the room for a moment, the two men who accompanied him – two life-long friends, not bodyguards - told me a story about this man with an eighth grade education. James carried nothing in his pockets: no keys, no wallet, no cash. At the beginning of each day, each man was given a considerable wad of cash – in a roll – to pay for meals, hotels, everything. Any remaining cash was given back to James at the end of each day.

After a very long 14-hour day of promotional appearances in Los Angeles recently, this man gave James Brown the remaining roll of bills and loose change. James counted the sum and, as the man began to leave his room, suddenly asked, “Are you sure you don’t have about $39 in another pocket?”

Incredibly, there was a cab ride that morning from LAX which this man began to pay with two twenty dollar bills but his counterpart did instead. The two twenties were replaced in haste, inside the man’s coat pocket instead of his pants, where they still were.

James kept track of each day’s expenses in his head. He recalled names and details of people he met just once, knew myriad details of those he worked with intimately and demonstrated business acumen far beyond many with a college degree.

Granted, James Brown knew how to promote James Brown. He was in San Jose for a one-night show and ticket sales, no doubt, needed a little help.

So he ended up on KLIV’s doorstep to work his magic: to again open doors closed to everyone else but not to James Brown.

James Brown was truly a legend who influenced all music – Elvis to Mick to Bowie, R&B to rock to rap – as well as this twenty-something radio DJ who had the once-in-a-lifetime opportunity to spend time with the man behind the legend.

To this day, almost thirty years later, I remember that sign by the front door of the old KLIV studios must have read, “No admittance for any non-employee after-hours except for James Brown.”